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Teaching an element of Suzuki for a Masterclass in Movement at the University with Brenda Orellana
Inspired by Campbell, Montessori, Bogart

Teaching

Whether it is a technique course or a lecture course, I like my students to actively experience and observe the Craft themselves, then reflect. 

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Brian Gligor, CV, 2025 (pdf)Download

Collegiate Courses

Theatre 100

My Introduction to Theatre & Theatre History course is not your typical lecture. Throughout the semester every student finds themselves performing some aspect of theatre in front of their peers as we discus different styles, historical periods, and elements of a production. They also attend local theatrical performances and write Critical Reflections (that A.I. programs cannot produce) analyzing the craft as well as the When, Where, Why, and How of the Production. Whenever possible, I bring in a variety of professional theatre artists either in person or virtually to discuss their work. My approach caters to Non-Theatre Majors, and I delight in helping students apply theatrical practices to their own unique career paths.

Students demonstrating changes in Blazer styles throughout the 20th Century for a discussion about Costume Design

Students touring the Clarence Brown Theatre before a production of Candide

Movement Technique

Suzuki & Viewpoints

A Masterclass Course in the juxtaposition between a strong Form study (in this case Suzuki) and Freedom study (in this case Viewpoints). 

Corporeal Mime

Applying Corporeal Mime to a collaboration with Guggenheim Fellow Kym Jin-Hi for the opening of the Asian Wing of the Detroit Institute of Art in 2018

Stage Combat

Quarterstaff Demonstration with  Kyle Maxwell

Composition

A glimpse at our development of a complicated movement sequence for The 39 Steps, directed by Kate Buckley for the Clarence Brown Theatre, with Katie Cunningham

Voice & Speech Technique

Face Muscles Assignment

A demonstration for an assignment that requires students to explore the intricacies of their facial musculature

Vocal Warm-Up

A Warm-Up I put together for a client with several speaking engagements at a conference and having vocal trouble

THEA 101 at Wesleyan University, 2017

Acting Technique

Students engage in exercises that address fundamental elements for an actors craft, scene study that explores a variety of styles, and a final production project. This class created Act II of Tectonic's The Laramie Project set as a community therapy session. 

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Brian Gligor