I've worked as an Actor, Director, and Producer with professional theatres across the country for more than twenty years. I've also taught Acting Technique and Theatre History at Wesleyan University and the University of Tennessee, specializing in movement training and heightened text. I have experience in a broad array of theatrical styles and am proud to have led many productions that made a difference for local LGBTQ+ communities.
I am excited to be living in New York again after many years of exploring and understanding other cultures and perspectives.
Played Bruce in Fun Home for River & Rail Theatre Co. in Knoxville, Tennessee
Directed productions of Godspell, The Prom, and RENT in Louisville, Kentucky
King Arthur in Camelot
Studio Tenn
Franklin, Tennessee
May, 2022
RENT was profoundly influential on my artistic aesthetic, and how I view theatre's role in society. In 1996 I was a teenage 'RENThead' sleeping outside the Nederlander for $20 rush tickets. Playing Mark in the National and Japan tours was a dre Since then I've Directed productions of RENT in Knoxville and Louisville,
My Introduction to Theatre and Theatre History course is not your typical lecture course. Throughout the semester every student will find themselves performing some aspect of theatre in front of their peers as we discus different styles, historical periods, and elements of a production. They will attend live theatrical performances and write analytical reflection essays (that A.I. programs cannot write for them), and will meet a variety of professional theatre artists in person or virtually. My approach is specifically for non-theatre majors. It is exciting to watch Business, or Science, or Engineering Majors, and Student Athletes, discover how this collaborative and performative art form can be applied to their primary studies.
Students dressed in costumes from different decades, discussing the intricacies of design choices
Experiencing all of the mechanics and shops backstage has been informative and impactful for many students who often have never been involved in a theatrical production.
The Suzuki Method
Viewpoints
Devised Theatre
Corporeal Mime
Stage Combat
Period Dance
Scene Study
Meisner
On Camera Auditioning
With elements of
Alexander Technique, Laban,
BreathWork & Meditation
Vocal Technique
Shakespeare
Heightened Text
Dialects
Musical Theatre
Our favorite Power Couple dishes about current events and Shakespeare's other infamous romances
With Lindsay Nance
I directed this piece for the National Theatre Festival
In 2015 I produced and performed a successful run of Doug Wright's Pulitzer Prize winning play I Am My Own Wife with the Clarence Brown Theatre in Knoxville, Tennessee. It was the region's first production of this LGBTQ themed one-person play, and by partnering with local organizations we were able to raise over $25,000 to support local LGBTQ community organizations.
I applied text and movement to the intoxicating musical expressions of Guggenheim fellow Jin Hi Kim during the heightened conflicts with North Korea in 2017 & 2018. We performed together at cultural events hosted by Wesleyan University, Yale University, and at the opening celebration of the Asian Wing at the Detroit Institute of Arts with an ensemble of phenomenal East Asian musicians.
An immersive theatrical experience where the audience is already cast as the Londoners who live in Dicken's story, they just don't know it yet. Three actors bring this show together as the spirits who help Scrooge along his journey, narrated with original text from Dickens himself.
I am a fortunate apprentice of John Sipes, who was the fight choreographer for the Oregon Shakespeare Festival for many years, and had studied with Suzuki Tadashi and Etienne Decroux. I was in several physically challenging productions he directed, including I Am My Own Wife, Midsummer, King Charles, and Titus Andronicus, as well as many others that he managed the combat sequences for. I have also often served as his Assistant Director and Teaching Assistant.
I can't imagine a show more challenging or rewarding.. When Altar Boyz is done right it is my favorite kind of theatre. Intimate, direct address with the audience, complex and committed characters, and a spectacle of song and dance technique.